Listening to: Sholay (1975)

The first time I saw this film in 1985, it was already ten years old, a legend even then. What at impact it had! Sometimes, very rarely, different facets of a movie come together and magic happens because the movie becomes greater than the sum of its parts. Sholay is one such film.

Today I watched it 26 years after I saw it last.  It still had tremendous  impact. People who know my dislike of bloodshed would wonder at my statement about a film which has so much violence. Yes, I cringed in places and hid my eyes in quite a few others but in spite of that I say emphatically – if you haven’t watched it, do.

A Wild-West story Indian-style, it seems to be inspired by films such as the Magnificent Seven, except the odds are even worse, there are only two to defend the village. Yet the movie is 100% Bollywood Masala – there is a great mix of action, violence, tragedy, emotion, drama, comedy, love. Its a buddy movie, an action movie, a romance and a drama. And it has nice music too!

There are funny little cameo roles by Asrani, Jagdip and Keshto Mukherjee but its Dharm, Hema and Amitabh who provide the best comedy. Dharm is a natural, his performance in the water-tank suicide attempt scene had me in giggles. Amitabh is no less when he goes to speak on Dharm’s behalf to Hema’s aunt. Even though I am not a big Hema fan, I think she’s great here; she has a definite flair for comedy. Jaya’s performance is understated but excellent. I did not much like Sanjeev’s take of the avenging Thakur. His teeth-clenching to show anger in every other scene quite tired me. I would have a preferred a colder, more controlled performance. The supporting cast have done a commendable job.

Dharmendra and Amitabh carry the film with their contrasting styles. But I give the award to the superbly evil Amjad; he is just unbelievably good.  His eyes, his dialogue delivery, his smile – everything is as evil as can be!

There are, of course, holes in the script. Why don’t they organise better defences? Why spend so much time drinking and romancing instead of keeping lookouts? Why would Hema plan to meet Dharm  in so lonely a place when they know they are surrounded by villains? Is it still important to capture the enemy alive when one’s life is in danger? Why do they attack the enemy with so little smarts and so much emotion? And isn’t the idea of a handless Sanjeev beating up Amjad quite ridiculous? And really, does it have to be SO long? There are many whys but we shall ignore them because its still a good film.

R.D.Burman weaves his magic wand for the music with good lyrics by Anand Bakshi.

• Yeh Dosti – Kishore Kumar, Manna Dey. This is THE buddy song of that era. Is the sidecar a metaphor for friendship?
• Holi Ke Din – Kishore Kumar, Lata Mangeshkar. There are better Holi songs but its not too bad.
• Mehbooba – R.D. The song is so famous that it is difficult to make an unbiased judgement. Helens gyrations and RDs gruff voice made an impression the first time I saw it, and it still remains startlingly good. I don’t have the qualification to critique RD of all people, but sometimes the voice seemed to be getting ahead of the beat..it disturbed me, so no dil.
• Koi Haseena – Kishore Kumar. This always make me smile; the song suits Dharm so very well! The picturisation is very amusing too.
• Haan Jab Tak Hai Jan – Lata Mangeshkar.  Hema’s big dance number is very good, Lata does a good job.

Listening to Seeta aur Geeta(1972)

‘I need something to cheer myself up’, I think as an excellent but sad English  film I saw on TV keeps lingering in my mind. Cheering up film? I immediately think of Seeta aur Geeta which I haven’t seen since the seventies. But it left a happy impression on my mind then so I am hopeful about it. Though the music is no classic, I remember a couple of cheerful numbers. The presence of a very handsome Dharmendra and an endearing Sanjeev Kumar is a definite draw!

The film is as much fun as I remembered. A light-hearted plot, you shouldn’t look for too much logic in it otherwise you’ll just get frustrated. Take it as it comes and you’ll get a couple of hours of amusement. Some off-the-cuff observations :

• Hema is more convincing in the fight scene at the end than Sanjeev! Its nice to see the leading lady see some action instead of simpering in a corner.
• Dharmendra has such great comic timing! He shows it off in a number of movies, I remember Chupke Chupke in particular.
• Sanjeev is so natural! When it comes to making acting look effortless, he and Balraj Sahni stand apart, as far as I am concerned.

The music I found to be just average, but perhaps its unfair to expect R.D.Burman to deliver each time.  Or is it? However, thanks to Asha, Lata, Kishore and Manna being in great voice, even ordinary compositions provide easy listening pleasure. In short, an album for good time-pass, but no more.

• Zindagi Hai Khel – Manna Dey, Asha Bhonsle . Manna’s voice doesn’t suit Dharmendra, in my opinion. These days they never look for voice match but films in the seventies used to do a good job of it. Nevertheless its well sung.
• O Saathi Chal – Asha Bhonsle, Kishore Kumar. This is the song I associate with this film so I have to mark it as my favourite ! Very catchy tune, Kishore & Asha enhance each other’s singing.
• Abhi To Haath Mein Jaam – Manna Dey. It was as if I heard the song for the first time, I don’t remember ever hearing it. Its quite a well sung song but I don’t know….
• Koi Ladki – Lata Mangeshkar, Kishore Kumar. A cheerful song, I found myself singing along and remembering all the words! Yet I haven’t heard it at least for 25 years!!
• Haan ji Haan – Lata Mangeshkar. Hey, why not Asha? Isn’t it her kind of song? I must do a post on sharabi songs, there is such a wealth of them in Bollywood! A good song.

To remind all of you in my generation of our carefree years, here is O Saathi Chal with Hema looking beautiful and Sanjeev charming as ever.