Category Archives: Sriranjani Santhanagopalan

Kamalambam Bhajare

Sri Yantra 2So tell me, when you see a strange esoteric diagram and are told that each layer of it is guarded by so many deities, do you secretly think that this is all weird mumbo-jumbo? Do you tell yourself that yes, there may well be a God, but all these strange tantric ideas are not quite your thing? That you are too scientific or practical minded to think that the Goddess is in a bindu surrounded by nine layers in a diagram, each layer guarded by many more deities?

I am, of course, talking of the Sri Chakram that I referred to in my first post for Navaratri yesterday. The thing is, I quite sympathise with you if you find it a bit difficult to relate to.  I too am of a scientific bent with a questioning, logical and rational way of thinking, with a mind which is often taken aback at some concepts and ideas which are well within these diverse set of beliefs which we call Hinduism.  But let me offer you something to think about today. I present to you the PluChakram below where there are seven Avaranams (enclosures) guarded by 94 gupta (secretive) devis who Plutoniumare forever moving.  At the centre are 94 Shaktis, matched by 150 Shivas. When separated, they become their rudra or angry form capable of destroying the earth. Well, what do you think? Am I talking mumbo-jumbo? Not really. This is just the structure of Plutonium (reference) described with a bit of artistic license! I am, of course, talking of electrons and orbits, of protons and neutrons and nuclear energy.  Is it any less of a truth just because it is thus presented? I just want to make the point that the Sri Chakra too is a diagram representing a powerful force. Perhaps we don’t understand it too well but that doesn’t mean we should reject it either.

So we come to today’s kriti, in honour of the second Avaranam, a lotus shaped enclosure with 16 petals called the सर्वाशा परिपूरक चक्र Sarvasha Paripooraka Chakra (the fulfiller of all desires). The presiding deity is Tripureshi and there are 16 Devis who rule this Avarana. Dikshithar’s kriti in honour of this Avarana is set to the very beautiful Kalyani raga. Presenting this kriti is the young Sriranjani Santhanagopalan (from 8:57).

I would also like to present U.Srinivas’s beautiful rendition in his memory; his loss weighs heavily on my heart.

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Footnote (Lyrics and Translation) :

Composer : Muthuswami Dikshithar
Raga : Kalyani
Language : Sanskrit

कमलाम्बां भजरे रे मानस कल्पित माया कार्यं त्यज रे

कमला वाणी सेवित पार्श्वां कम्बु जय ग्रीवां नत देवां
कमला पुर सदनां मृदु गदनां कमनीय रदनां कमल वदनाम्

सर्वाशा परिपूरक चक्र स्वामिनीं परमशिव कामिनीं
दुर्वासार्चित गुप्त योगिनीं दुःख ध्वंसिनीं हंसिनीम्
निर्वाण निज सुख प्रदायिनीं नित्य कल्याणीं कात्यायनीं
शर्वाणीं मधुप विजय वेणीं सद् गुरु गुह जननीं निरञ्जनीम्
(मध्यम काल साहित्यम्)
गर्वित भण्डासुर भञ्जनीं कामाकर्षिण्यादि रञ्जनीं
निर्विशेष चैतन्य रूपिणीं उर्वी तत्वादि स्वरूपिणीं


kamalAmbAM bhajarE rE mAnasa kalpita mAyA kAryaM tyaja rE

kamalA vANI sEvita pArshvAm kambu jayagrIvAm nata dEvAm
kamalA pura sadanAm mRdu gadanAm kamanIya radanAm kamala vadanAm

sarvAshA paripUraka chakra svAminIm parama shiva kAminIm
durvAsArchita gupta yOginIm du.Hkha dhvamsinIm hamsinIm
nirvANa nija sukha pradAyinIm nitya kalyANIm kAtyAyanIm
sharvANIm madhupa vijaya vENIm sad guru guha jananIm niranjanIm
(madhyama kAla sAhityam)
garvita bhaNDAsura bhanjanIm kAmAkarshiNyAdi ranjanIm
nirvishEsha chaitanya rUpiNIm urvI tatvAdi svarUpiNIm


Worship (bhajarE) Goddess Kamalamba and abandon (tjajarE) all that is the imaginary (kalpita) result (kAryam) of illusion (mAya) , O Mind (mAnasa)!

She is paid homage to (sEVita) by Lakshmi (kamalA) and Saraswati (vEnI) beside her (pArshvam).  The beauty (implied) of her neck (grIvAm) surpasses (jaya) that of a conch (kambu). She is bowed to (nata) by the Devas. She resides (sadanAm) in Kamalapura, the lotus-city.  Her speech (gadanaAm) is gentle(mRdu). She has beautiful (kamanIya) teeth (radanAm). Her face (vadanAm) is like a lotus (kamala).

She is the mistress (svAminIm) of the Chakra which fulfills all desires (sarVasha paripUraka chakra). She is beloved to (kAminIm) to supreme (parama) Lord Shiva. She is the secret (gupta) Yogini worshipped by (archita) by Sage Durvasa. She is the destroyer (dhvamsinIm) of sorrow (duhkha). She contains the universal soul (hamsinIm). She is the bestower (pradAyinIm) of true (nija) bliss (sukha) in the form of salvation (nirvAna). She is the ever (nitya) auspicious one (kalyAnIm). She is also Katyayani (the sixth form of Durga born as the daughter of Sage Katyayana) amd Sharvani (consort of sharva=Shiva). Her (vEnI) is darker than (vijaya=conquers) the colour (implied) of bees (madhupa). She is the mother (jananI) of the good (sad) Lord Guruguha (Kartikeya, also signature of composer). She is the unblemished one (niranjanI).

She is one who destroyed (bhanjanI) of the egoistic (garvita) demon (asura) Bhanda. She delights (ranjanI) deities such as (Adi) Kamakarshini. She is the embodiment (rUpinI) of the absolute (nirvisEsha) consciousness (chaitanya). She is the manifestation (svarUpinI) of heaven &earth (urvI), reality (tatva) etc (Adi).


Filed under Carnatic Music, Compositions in Sanskrit, Muthuswami Dikshithar, Sriranjani Santhanagopalan, U.Srinivas